White Hunter Black Heart (1990): A Shooting We Will Go

 

 

White Hunter Black Heart
White Hunter Black Heart (Photo credit: Wikipedia)

 

Directed by and starring Clint Eastwood, White Hunter Black Heart is a thinly disguised version of the events that immediately preceded the filming of The African Queen. Adapted from the Peter Viertel novel of the same name, Viertel along with James Bridges and Burt Kennedy wrote the screenplay.  The film was based on an amalgamation of several Hollywood producers of the time. John Wilson (Eastwood) is mainly based on John Huston. Eastwood mimics Huston’s ‘cadence’ or meter of speaking, this combined with drawing out his vowels makes it unmistakable that it’s Hutson whom Eastwood is impersonating.

 

The character of Paul Landers (played by George Dzundza is based on Hollywood producer Sam Spiegel and the young writer Pete Verrill (played by Jeff Fahey) is based on Peter Viertel.

 

While searching for filming locations in Africa, Wilson becomes obsessed with hunting elephants. It is the only animal that he has not previously hunted. He drags young Verrill around with him while he tries to find an elephant worthy of his effort.

 

Wilson’s character is well fleshed out as we see his reaction of racial prejudice and his eccentricities about life in general. In one scene at a restaurant Wilson takes on the overbearing racist bullyboy Harry (Clive Mantle) and despite starting well, gets the stuffing knocked out of him. This is the same scene where Wilson admits that not only is it wrong to kill and elephant but that it is a sin.

 

John Huston
John Huston (Photo credit: Wikipedia) aka John Wilson.

 

The two actors who portray Hepburn’s character Kay Gibson (Marisa Berenson) and Bogart’s character Phil Duncan (Richard Vanstone) do very little in the film. Gibson does give the impression of disagreeing with Wilson’s passion and Katherine Hepburn did indeed (initially) disagree with Huston’s hunting (Huston mentions it in his biography Open Book) But apart from the very end of the film, we see little of the two ‘African Queen’ characters.

 

The film can be slow moving and whimsical at times, but as a study of Huston it is priceless. Not in being one hundred percent faithful to the man but showing how he could brainwash and persuade all those who met or worked with him.  Huston was a charmer as well as a highly talented filmmaker.

 

Hepburn went on record stating that Huston could be maddening. In her book ‘The Making of the African Queen: Or How I Went to Africa With Bogart, Bacall and Huston and Almost Lost My Mind‘ she writes about how her initial distrust of Huston changed as she fell under his spell.

 

The movie ends as Wilson calls action on the first ‘locational’ scene of The African Queen. The film opened to positive reviews from critics but audiences never really warmed to it. The movies shooting budget was 24 million dollars and the box office receipts maxed out at 2 million.

 

White Hunter Black Heart is a very underappreciated film. If people ever doubted that Clint Eastwood could play a character driven part and act, Eastwood’s portrayal of John Wilson was the first proof that he could do just that.

 

This is a brilliant film to watch just after you’ve finished watching The African Queen. It gives you a bit of an insight as to how the movie world was in the old days and what was really happening just before the cameras started rolling on the set of The African Queen.

 

Cover of "The African Queen (Commemorativ...
Cover via Amazon

 

 

About Michael Knox-Smith

Word traveler, writer, actor, vlogger, blogger, journalist. Entertainment background. Cinephile who reviews films, television, YouTube shows, Books and interviews professionals in the industry. Old journos never retire, they start their own site. Member Nevada Film Critics Society

11 thoughts on “White Hunter Black Heart (1990): A Shooting We Will Go

  1. One of Eastwood’s truly underrated, under appreciated productions. I love this film. And I’m still waiting for its Blu-ray Disc (sometimes, Warner Bros. can be so slow in this regard). I recommend, if you’re interesting, my colleague J.D.’s exposition on this film. What I commented there, still applies:

    “Eastwood was unafraid to make himself look as flawed as the character and equally unafraid to give the film its unhappy poignancy. Plus, this work has one of the Eastwood’s best film finales of all his productions. When he utters, “Action.”, it has all the gravitas the filmmaker intended.”

    Well done, Mike.

  2. I love this movie and I love the African Queen.
    “I never dreamed that any mere physical experiance coud be so stimulating! No wonder you like boating so much Mr. Allnut.”

  3. Reblogged this on Serendipity and commented:
    I do believe I have seen this, though it has been a while. I also read Hepburn’s book, and Garry has a lot of interesting back stories about this film … and this film certainly has more back stories than most. Huston was a character among characters. And “The African Queen” is one of my favorite all time movies. I agree, by the way: killing an elephant IS a sin.

  4. I think we did see this right after it came out. Garry has a whole lot of stories about the stuff that went out during the filming of African Queen, and both of us read Hepburn’s book too. I love the movie (African Queen).

    I have ambivalent feelings about Eastwood right now, but his body of work is undeniably good. I always have problems dealing seperating the real life “guy” from the work he/she has done. I can’t watch movies with Mel Gibson anymore: there’s a level of anti-Semitism that I won’t tolerate or ignore. Pity. Until he shot his big mouth off, I actually enjoyed Gibson. Now I’m having similar problems with Clint. Why can’t these guys just shut up? I hate when people I admire turn out to be assholes.

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