The Drop, starring James Gandolfini, Noomi Rapace and Tom Hardy is a wonderfully paced and low-key character study of a former tough guy and his cousin. Directed by Michaël R. Roskam, in what is his second feature length film and adapted by Dennis Lehane from his own short story Animal Rescue, the film is a visit to the underbelly of the back streets and alleyways of Brooklyn. Lehane deviated from his usual setting of Boston and as a result the movie almost sings with the wealth of “Brooklyn-ese” that spills from the lips of all the characters.
Director Martin Scorsese’s film Shutter Island was touted as ‘Scorsese does horror’ by the studio marketing department. The teasers and trailers that cropped up in theatres and television as early as 2008 slotted the film firmly in the scary screamer category.
So I was a little bit more than confused when I finally got to watch the film in 2010. Munching my popcorn in the darkened theatre, I expected to lose at least half of it from jumping and jerking at the scary bits. Thankfully, that was not to be (thankfully, because I love eating popcorn while watching a movie, it is as perfect a combination as say, peaches and cream).
Instead I found myself watching a damned good psychological thriller. There was a mixture of mystery, drama, horror and tragedy thrown in for good measure, but, it was undeniably a thriller. So despite the studio publicity hacks best attempts at dooming the picture because of misrepresentation, Shutter Island shot straight into the Blockbuster category.
I mean was there ever any doubt that Scorsese, the Wunderkind who grew up, wouldn’t pack the cinema’s with his ‘tribute’ to Hitchcock? Not in my mind. Scorsese has hit more out of the metaphorical ball park than Babe Ruth. Okay, time to move on from the Scorsese fan-boy stroking.
The film opens with US Marshall Teddy Daniels (Leonardo DiCaprio) and his partner Chuck Aule (Mark Ruffalo) on a ferry heading to Shutter Island. They are going to Ashecliffe Hospital and institution for the criminally insane based on the island. They’ve been sent there to investigate the disappearance of a patient, Rachel Solando (Emily Mortimer).
Rachel was imprisoned for murdering her three children by drowning them. As Ashecliffe Hospital is, despite it’s name, a maximum security prison located on an island, the disappearance has a ‘locked room’ mystery air to it.
On the journey out to the island, we learn that Teddy is a decorated war hero and that this is the first time he has worked with his partner. When the men land on the island they are met by a hostile group of ‘prison officers’ who demand that they hand over their weapons.
The two Marshall’s are then escorted to a meeting with the head psychiatrist, Dr. John Cawley (Ben Kingsley). Dr Cawley is oddly reluctant to deal with the investigating Marshall’s and refuses to hand over medical records of the missing woman. He explains that Rachel’s doctor is on holiday and he refuses them access to the ward that she went missing from.
Cawley then explains that they have already searched the island and it’s broken lighthouse, he is of the opinion that the officers have wasted their time coming to the island.
We learn that Teddy suffers from migraines and he also has flashbacks about the war and the death of his wife. The war flashbacks are from his unit coming across a ‘death camp’ and his subsequent ‘execution’ of the SS Commandant who ran it. The flashbacks of his wife’s death involve the man who killed her, an arsonist that had a grudge against Teddy, Andrew Laeddis (Elias Koteas).
While the meeting is going on, Teddy and his partner Chuck meet Dr Naehring (Max von Sydow) who questions Teddy about the war and makes certain assertions about him and his personality. Teddy reacts aggressively and his flashbacks about the war increase as does his migraine.
Teddy and Chuck questioning the staff.
Teddy starts questioning the staff and patients who, like Dr Cawley, are reluctant to help. The staff come across as bored and hostile, the patients unfocussed. Only one patient appears to be ‘with it’ and she slips Teddy a note telling him to run.
Teddys get frustrated at the lack of cooperation and decides to break into Ward C. Teddy’s migraine gets so bad that he passes out and when he wakes up he has been given ‘hospital’ clothes. He begins to think that the entire hospital is engaging in a conspiracy to hide what really happened to Rachel and he has found evidence that his wife’s murderer is a patient there.
Teddy thinks that a trap has been laid for him and his partner, but they are both stuck on the island as a hurricane blows in.
As a thriller Shutter Island works brilliantly. The plot twists and turns and as we follow Teddy around on his investigation, we get as lost as he is. The truth is hidden behind lies and misdirection. There are scary bits in the film as well as disturbing ones.
We grow to like Teddy and his partner, although, as the film progresses we start to mistrust Chuck and begin to question his motives and his loyalty to Teddy. We struggle with Teddy as he finds clues as to what is really going on at the hospital and we share his frustration at the many dead ends and false leads he encounters.
Shutter Island is Scorsese at his best. He masterfully weaves the threads of this tale and neatly ties them up at the end. The cinematography of the island and the hospital is dark, uncomfortable and unsettling. When Teddy has his many flashbacks the scenes are brightly lit and jarring. The music suits the mood of the film and helps to sell the finality and sadness that the doomed Teddy faces.
I feel that Shutter Island is a thriller, but Teddy’s own story could very well be classified as horror. The film is a worthy adaptation of the novel by Dennis Lehane it manages to evoke the same feelings and reactions about Teddy and his predicament.
I mentioned that I love the combination of popcorn and movies. Well, I can generally measure how good a film is by the amount of time it takes me to consume a large bag of popcorn. The better the film, the faster the popcorn runs out.
I ran out of popcorn before a quarter of the film had gone by and I lost not one kernel to ‘jumps’ or ‘scares.’
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