Tag: Wyatt Earp

A year ago, I bought Iron Eyes Cody’s autobiography in an entertainment specialist shop in Norwich. I’d often wanted to read the book as he was a pretty iconic character after his pollution advert back in the 1970’s. He also had always claimed tribal ancestry not too far from my own and I hoped that by reading the book I’d learn not just about Hollywood in the early years but also about his lineage.

I had completely forgotten that Iron Eyes had been “defrocked” as it were in 1996. A half-sister appeared from the sagebrush and claimed that not only did he not have Indian blood in his veins, he was in fact Sicilian. Even after a birth certificate was produced and records found that substantiated the woman’s claim, Cody denied vigorously that he was anything but a Cherokee/Cree Indian.

He stood up for many Native American causes and was awarded for his efforts. He never left his house unless he was dressed in beaded moccasins, buckskin clothes and wearing his braided wig. Even though the tribes he supported through his efforts ascertained that he was not of Native American Heritage, they still accepted him as one of their own; which he was, in spirit at least, if not through blood.

The question is, was Cody so enamoured of his role as the mistreated red man that he came to believe it? Was this part of his “Hollywood” image that he maintained in order to find more work as an actor? Or had he lived this lie so long that he believed it; the “role” he’d invented for himself in order to ingratiate himself to the acting community?

Cody had a long career as a “screen” Indian. He worked with big names in the western film making crowd. He’d been around Hollywood long enough to be able to “name drop” with the best of them. He knew the old silent film cowboys and stuntmen. He also knew retired lawman and living legend Wyatt Earp (although he maintained that if you asked Earp anything about his past he would just look at you and say he couldn’t remember) as well as some of the other less savoury remnants of the old west.

He also provided a treasure chest of “authentic” props for film makers that were used in other films besides westerns. He appeared in over 200 films and worked quite a lot in television as well. But Cody was more than a celluloid “red man” he also lived his life according to the Cherokee/Cree culture.

Cody’s book, titled My Life as a Hollywood Indian, was published in 1984 and was ghost written by Collin Perry (the book’s jacket actually says “As told to Collin Perry”) and includes a lot of photographs of Iron Eyes and his family and some of the Hollywood “big wigs” he worked with. As I’d hoped the book did have a few anecdotes and stories about some of the lesser known players in the old days of western film making. A lot of the stuntmen and extras in those days were rough and tough real cowboys who found that fist fighting and getting shot off of a horse paid a hell of a lot better that working on a ranch punching cows.

So in that area the book was interesting enough. He tells a bit about his married life and his peccadilloes. He also talks about Native Americans and their battles to retain their heritage and claim back their past.

Of course, as the book was written in 1984, he makes not one mention of his Sicilian heritage. The book is set up to sell the idea that Cody was Native American. He obviously believed it. Writing a biography, even with the use of a “ghost writer,” puts your personal “truths” in concrete form. There is your life story, in black and white, filling pages of a book.

You cannot retract your story. You cannot go to the publishers who paid you for your book and say, “Oh by the way, I may have stretched the truth a bit in the area of ancestry.” They may want their money back or worse sue you. That could be the main reason that Iron Eyes Cody, who was actually born Espera Oscar de Corti in Kaplan, Louisiana the second son of two Sicilian immigrants Antonio de Corti and his wife Francesca Salpietra, continued to deny his “real” roots.

So the idea of lawsuits might well have been Cody’s inspiration for denying his true lineage, but, when you take into account his lifestyle; the life he lead following the traditions of the Native American culture, he believed in his “reel” life completely. He may have adopted the ancestry because it was more romantic than his own or he could have gotten so caught up in the whole idea that he forgot his real life existed.

I guess that perhaps that is another “truth” of one’s ancestry or past; when the pretend memories become real, so real that they take over fact and become a deluded reality.

A delusion that can be used to benefit some and that harms no one. Then it is most likely a truth or reality much stronger and powerful than the reality of a father who deserted his wife and children and ran away to Texas.

The only sad thing is, Iron Eyes Cody never told anyone why he preferred the lie or if he was even able to recognise that it was a lie. The 1996 revelation casts an unfortunate tinge on the biography and the validity of its source. But it is still worth looking up just for some of the photographs and for the stories (true or not) of the characters who filled the backdrop in the early days of western film making.

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